Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

Sign up here for monthly newsletters from me!

The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

About This Blog

This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

To reach me, leave a comment after a post, OR email me at susiemonday@gmail.com 

 

To receive a notice of new posts in your email, scroll down this column to the end of the page and subscribe via FEEDBLITZ or add this blog to your own subscription service. You can search the blog with any phrase or word, by typing it into the seach window below:

Subscribe .. Or Write Me!

Subscribe to a email feed of this blog by filling in your email address in this box. Your email will not be sold or shared with others.


Preview | Powered by FeedBlitz
 
  

This form does not yet contain any fields.
    Login

    Entries by Susie Monday (563)

    Monday
    Mar052012

    Exhibit at University Presby

    I  have a small but, I think, quite nice, exhbit of work at University Presbyterian Church in the SOL Center. It will be up through Easter, and I will be doing an artist talk on the coming Sunday after services (noonish?).

    The church is at Bushnell and Shook in San Antonio. And, as a born-amd-bred Presbyterian, it's an honor to be there -- there is something really satisfying about having more than one or two pieces of work in a public forum. It is a pleasure to see 15 or so pieces of work all on nice walls all in the same space. The work in the show is from 2009 to now, with quite a bit new work. I see it differently on a wall that is not my own.

    I admit to having some misgivings about not being in a "proessional" venue with my work. There aren't many such available in this community; textile art is marginalized between art and craft. No excuses: I also am not the best at spending time and effort finding exhibit opportunities. Meanwhile, with the help of friends, this one came my way; the space is quite nice; I had lovely help hanging the show; it has an interesting and valued stream of people going through it for classes, events, church services and more. So if you get a chance, stop by. Ask at the church office if the Sol Center is locked. Ask for prices if you are interested in purchasing work -- 25% of purchase price goes to the church.

    Monday
    Feb272012

    A Fine Time, with Mary Ruth Smith

    The Texas Federation of Fiber Artists happened this end-of-February in Kerrville. I had a great time at the events in Kerrville that I attended. (And a wonderful time during the open studio at El Cielo on Friday, with special guest artists Robin Early, Sarah Burke and Mary Lance.)

    Tops on the list: Mary Ruth Smith's stitching class. Just to hear her stories and her approach to her meticulous and amazing work was worth the price of admission to the entire conference. (Mary Ruth says take photos, but not of her face...)

    Let the photos inspire:

     

     The piece above is layers of French knots -- Mary Ruth says it takes aabout 2 hours to stitch one square inch, about 200 hours in each of the pieces in this series (and she is FAST).

    Mary Ruth says that she works with stitch in three ways: to construct fabric (as with the French knot piece above), to embellish and to draw. Some pieces use one approach, others several. She most often uses only one kind of stitch in a piece -- ie, thousands of seed stitches, thousands of cross stitches or thousands of those knots. Looking at her work, I noticed that quite a few also had maybe two different stitches -- one constructing the surface and one embellishing it.

    I've been stitching (by hand) ever since the weekend, and have these observations:

    Hand stitiching for me is quite meditative. I think I can give up yoga (no, not really... the shoulders say otherwise).

    It takes a LONG TIME. Hand Stitch is the "slow craft" that calls to me. I get antsy with some tedious chores, but not hand-stitching.

    I can travel with hand stitch projects -- even walking the Camino this summer, I should be able to carry along something!

    I like black thread and the black lines that stitching with it makes. A lot. 

    The overlay idea (putting a very sheer black fabric over ones first layer of stitch) is a novel and interesting way to play with value and to tie together bits of small appliqued fabrics -- it serves to hold down all the little threads and edges without fusing or satin stitching the entire edge. Mary Ruth used to buy her sheer Japanese made chiffon scarves at WalMart, but they no longer seem to carry them. She finds them now at (http://www.meinketoy.com/) Meinke Toy. HOWEVER, I think I found a substitute yesterday at the local wholesale florist -- in San Antonio at Travis Wholesale Florist. It's a very sheer, very transparent length of fabric sold as a decor sheer. $6 for a whole lot of cloth. I'm sending a piece to Mary Ruth immediately!

    Another great source she shared for yarns, sari strips and paper yarn, perfect for couching: Darn Good Yarn.

    She also likes to color her fabric before stitching sometimes with scraps of disperse dye painted papers. These dyes, for polyester and other synthetic fabrics only, are similar to the Crayola fabric iron on dye crayons. She now uses a product from ProChem called Prosperse Dyes. Here's a helpful YouTube with textile artist Mary Gamester that illustrates several ways to use this kind of product. And a helpful one-page sample from a book by Carolyn Dahl.

    The picture directly below on the left shows at the bottom of the picture an interesting and simple way to mount these stitched and stretched art works. Mary Ruth stretches her muslin or other fabric around standard sized stretcher boards. When the work is finished, she may remove it and wrap it around another display board, then she nails a smaller by one inch covered stretcher bars onto the back of the piece with the art stretched around it. This gets the hanging hardware, (ie a 13" by 13" art piece is backed with a 12" by 12" stretcher boards stretched with plain muslin).

    Friday
    Feb172012

    Pomegranate Quilt

    As promised, the strip quilt, thanks to fear-busting activity inspired by Rayna Gillman's new book. See the start at this post on my blog a few days ago.

    Thursday
    Feb162012

    New Book: Texas Museum of Fiber Artists

     

    And "I'm" on the cover. The agave detail (second row, third image from left) is from my FAITH IS A LAW art quilt that was part of the IQF exhibit last year on Text on Textiles. Then it was part of the Texas Fiber Art Exhibit last year, thus the inclusion in this catalog. I also have some other work in the book, compiled from the previous exhibits.

     

    TMFA Fiber Arts Book Order Form


    Name or company purchasing ________________________________________________________________________________

    If gift: shipped to__________________________________________________________________________________________

    Shipping address __________________________________________________________________________________________

    City ____________________ State ___________ Zip___________

    Quantity_________________ x $40.00 plus tax $3.30 plus shipping and handling $6.70 TOTAL

    $50.00 per book

    Multiple quantity sales and wholesale accounts invoiced with calculated shipping and handling.

     

    And, speaking of which text-type topic,  brings us to my upcoming Joggles class on the same topic. You can get details HERE if you are interested in trying my very first "real" online class. I'm sure we will all learn a great deal!

     

    page1image14648