Susie Monday . El Cielo Studio

4. Travel.

OK, every year can't bring a capitol letter Vacation (like last year's 3 week trip to northern Italy). Every month can't include even a weekend outing to someplace a bit closer to home (though I apparently think so with April's trip to Rockport, June's to Corpus Christi and this month's trip to see my sister in Salida, CO). BUT, even with gas prices what they are (and I don't want to hear another word about that as long as y'all are out there drinking bottled water), travel is truly broadening and amazingly good for the creative juicer whether it's in real time and space or a virtual trip across the universe via web sites and other-people's-trips.

Think about these possibilities:

 First of all, whichever trip you take, take a sketchbook and journal, ideally a digital camera, along with you. Collect ephemera and souvenirs, take photos, better still sketch and watercolor, interview the experts and the locals. Be adventurous. Don't stick to the tourist destinations, but find out how people live, what they create with their hands, what is eaten, what it' s like to live under that sun. Write in a cafe or under a tree. People watch. Try the contour drawing trick (Pt. 2 of this series.)

Then: 

Prowl the downtown and tourist destinations in your own community. I am never more flabbergasted than when I ask San Antonio residents how recently they have visited the San Antonio Missions National Historical Park and hear that its been a.) years, or b.) never. Hey, some people pay big money and take lots of time to come visit some place you drive by every week. One little day trip or weekend outing can cost little in time and give you an enormous boost to creative visioning when you travel with that intent in mind. You can even take public transportation to a lot of these sites.

Choose a country, city, natural wonder or other vacation destination to study for a month or a season or even a year. Pick some place that fascinates you for its visual, historical or symbolic power. Check out books from the library, even audio tapes and movies. Go to museum exhibits and concerts that originate in your vacation place. Learn a little of the language. Start an imaginary itinerary. Keep a travel journal "as if." Draw from photographs, literally and figuratively for your muse.

Spend just a weekend at a retreat center, state park, or natural area, or an out-of-town workshop venue (like my El Cielo Studio retreats), or some place else that takes you away from your ordinary day and your ordinary city/suburban life. The place might be a spa, it might be a swimming hole or a river raft trip. If you can't afford to go further, spend an entire day at a city park. Take food, drink, books, a quilt to lie upon. Listen, look, experience the weather from dawn to dusk. Live in the natural world, so that means no cell phone chatter, no IM, no radio or ipods. I think of this as a trip away from technology. You can even do it in your own backyard or on the balcony.

Start planning and saving today for that dream trip next year, or the year after. Be realistic, but not too realistic. My experience has been that once I commit to a plane ticket, I will find both the time and the money for everything else, even with the EURO rates lately. It is all too easy to think you'll never have the money or time to see a part of the world that calls to you. First step (if your destination is out of country, get that passport this month). It always helps me to do this one with companions, then its harder to back out.

 Eavesdrop on someone else's travel. There are tons of web sites where intrepid travelers tell you all about their wanderings, and then there is Anthony Bourdain, No Reservations on the Travel channel. Another great trip I've taken lately has been with Bill Buford in Heat, a great audio book or read about his education as a cook with Mario Bateli and in Italy. You may notice a trend here, see the next suggestion.

Cook your way around the world. Try a different recipe from a different country each week. Seek out an ethnic grocer if you can in order to buy the ingredients, or order them from an ethnic grocery supplier online. Cooking and art go together in my mind. I think of ingredients the same way I think of colors. I like to look at new ones, and new combinations of them. I eat visually as well as with my mouth. Food is an amazing way to explore another culture, country or part of the U.S.

Then, what to do with all this input. Create with its energy. With the new eyes you had to have. With its content -- sketches, paintings, fabric altars and quilts, photo albums, amazing travel journals. Artist's postcards and ATCs, you'll figure it out!

The last three days we've spent several hours a day kayaking, walking, dipping into the surf. Relaxation for the mind, body and spirit. What's on the reading list:

Martha Beck's The Four Day Win, an interesting and convincing "anti-diet" book by a Harvard-trained life coach. I'm tryiug out the Four Day Win practise. More about this strategy for change later.

Sue Monk Kidd's First Light, a compilation of her early writing, mostly for Guideposts magazine. (on audio in the car)

 John Sandford's Invisible Prey, a mystery thriller by  this best-selling author  -- the first of his I've read, and so far, this one about two vicious murderers who are also art thieves, is a great beach read.

Keith A. Arnold and George Kennedy's Birds of Texas, a new field guide, since I can't manage to remember to bring any of the seven birding field guides I have at home (real truth: field guides of all stripes are among my favorite affordable luxuries)

I'm a dip in-and-out reader and like to have a several things in different genres going at once.I beg that you share your favorites as we've just canceled the TV satellite service. (DirecTV wanted to charge me  $100 to remount the dishes after we put gutters on the house. Why a company will give you free service for new accounts, even free service if you move to a new house and then want to charge for the same service to a longtime customer, I don't get. When I called back to cancel, they  did offer to move the dishes for free -- too bad, by then, we'd decided we don't watch enough TV and would rather have the $ for something else. I subscribed to Netflix and paid for an out-of-county library card -- there's a new branch on my usual path) and I guess I'll find someone to tape Top Chef and Project Runway or get them on tape!)

Destination: Fulton Beach Road, Lamar, Austwell and Aransas Pass National Wildlife Refuge. Accomplishment: Changing the channel, celebrating my 60th, breathing in and breathing out.

I'll post details later when I have more time, but for now, here's a little picture tour of the tour (and a shocking picture of me with red hair.) This little trip to the coast was part biz, part party, mostly just r & r of the best kind -- agenda-proof, timeless wandering, emersion into the natural world from early morning storms to sunsets reflected in the choppy bay waves.

The cabins where we stayed were perfect: The Habitat Bed and Breakfast,  rather rustic, but wonderfully situated about a i/2 mile from the bay and sitting next to a small fresh water lake.

 This art quilt was juried into the DAFA sponsored Federation of Fiber Artists exhibit in Plano -- with about 58 other works, it will be on display through the month at the Plano Art Center. The link will take you to a gallery of all the work in the show.

The title is "Floating Above It," and the work is inspired by the song by Talking Heads song "And She Was"
The lyrics:

“And She Was”

“And she was lying in the grass
And she could hear the highway breathing
And she could see a nearby factory
She's making sure she is not dreaming
See the lights of a neighbor's house
Now she's starting to rise
Take a minute to concentrate
And she opens up her eyes

 “The world was moving and she was right there with it (and she was)
The world was moving she was floating above it (and she was) and she was

“And she was drifting through the backyard
And she was taking off her dress
And she was moving very slowly
Rising up above the earth
Moving into the universe
Drifting this way and that
Not touching ground at all
Up above the yard

“She was glad about it... no doubt about it
She isn't sure where she's gone
No time to think about what to tell them
No time to think about what she's done”
 

Hard at play with a bunch of Babylocks. Theralyn Hughes, Pat Schulz in front, Jack Brockett and Ruthie Powers can be spotted in the back.  

Just like in the quilt, the wind is whirling up the ridge after a couple of wonderfully warm and sunny days.  Alas, I've been stuck deep inside the studio shuffling papers, filing forms, putting my month in order after playdays with the Federation of Fiber Artists (the Texas coalition of Houston, Dallas, San Antonio and now, Austin) fiber arts groups. The every-other-year conference, hosted by Dallas Association of Fiber Artists, was in Plano this past weekend. I took a couple of half-day workshops -- 3-d shibori techniques with Carol Lane Saber and needle felting with the Baby Lock embellisher with Sara Moe. What I learned: 1. instant set dyes work great for hotle room dye workshops, given the water, batching limitations and 2. I am not immune to the seductive appeal of the needle-felting embellisher.

But I resisted (for now) given that the winter's equipment budget went for a new laser printer and ink jet printer. I figure the Babylock will still be there when I get around to it. I certainly understand why its the toy of the moment for fiber artists. I had believed myself to be immune because I am not particularly interested in adding a lot of fuzzy texture and random frays and textural tornadoes or 3-dimensionality to my work. I like the flat plane of fabric and I prefer to develop a sense of visual  texture with patterned layers of imagery. BUT, when I found out I could actually create fabric out of little bits of other fabric, and that I could quite subtly add an element of pattern hither and yon, I was a goner. This is too much fun. Three hours barely gave us enough time to see Sara's examples and to put a few needles into action. The only downside I can see is that I will break way too many expensive needles figuring out what and how to use this machine, when I do  spring for one.

(Addendum: Deborah Boschert also posted some great photos and information about the Federation conference here.) 

On another front in Plano, we had the Federation exhibition at the Plano Art Center, a wonderful repurposed space with character, tall ceilings and a nice ambiance. Juror (and keynote speaker for the conference) Joan Schulze chose 6 awards of merit, among them Laura Jeanne Pitts, Leslie Jenison and Leslie Klein of FASA.  (Was there another San Antonian awarded an honor -- I can't remember!) Anyhow, I counted myself among good company.

Below: Leslie Klein, Leslie Klein and Martha Grant, Leslie Jenison, group shots of happy artists Rachel Edward, Yvette Little, Jean Peffers and my  art quilt amid a crowd.

MORE at the show: Pat Schulz's piece inspired by her travel in Guatemala, Pat, husband Gerald and Rachel; Laura Jeanne Pitt's stunning art cloth and Lisa Kerpoe's layered art cloth is peeking out behind the talkers.