How to Get Unstuck.

Two of the Hill Country Angels, part of an on-going series of flying funky angels (alterego me doing a freedom/escape flyover)

I walked into the studio yesterday after a prolonged time away -- I've been either sewing already designed pieces, finishing up final bits like facings and hanging sleeves and final touches of hand embroidery, doing other art-related activities like teaching or well, eating and hanging out with family and all the other fun that holidays bring. My partner had an extra long break from teaching at Northwest Vista College, so the pleasant and necessary distractions were plenty until she went back to the classroom yesterday.

Consequently, I found myself stumbling around, unable to focus and at loss for a starting place. It seemed a lot easier to do the business of art, especially the part that has to do with roaming around on Facebook or Pinterest.

BUT, with intention in mind.

I turned off the screens and considered my options. 

I have a few completely new ideas I want to explore for some entries to exhibits, but the momentum to go from flat stalled out to full speed ahead was daunting and scary. With relief, I realized that I could get back into the design swing of things by working on a commission piece that is a continuation of a series of flying angels over landscapes. A collector wants a piece for a wedding gift -- an angel over Monterrey, Mexico. It's one of the reasons I promote and adhere to working in not just one, but several, series that stretch over years of work.

Although the deadline for this commission is further out than the other new pieces, I know that if I can get in action quickly, get my hands and mind working with the actual materials, and not just the idea of materials, in the end I'll make more efficient use of my studio time.

Coming along just fine:

The first two photos show my sketches on the wall -- these were done using projected images; the angel from a previous piece (for size and placement mostly, she will change), the famous Saddleback Mountain profile of Monterrey and a Joshua Tree silhouette -- this is one of the area's signature plants.

The photo above is a rough audition of some of the colors I plan to use -- the view will be a sunset late twilight view of the mountain with cityscape below, and angel above. This is coming together very nicely!

Moral of the story: turn off the screen, dig into colors, and go with what you know as the doorway into what you don't know.

Installed in the Library

If I could be a book, I'd choose to be in a library, something pithy and not too popular, but the kind of book that when someone checked me out, I'd be a surprise, something to read and savor, something to share with my friends.

Well. I'm getting into the Parman Branch, but it's not as a book. Thursday, the San Antonio Library Foundation and SA Public Library will dedicate a new children's area dedicated to the memory of a young girl who died at age 16 of cancer that she had fought most of her life. The young girl, Ana Macias, became the reason for gifts from family and friends and library supporters. You are invited if you're in town or near -- 5:30-7 at Parman Branch, outside Loop 1604 on Wilderness Oak off Blanco.

I was asked to make a large art quilt "tapestry" to put on the wall in the new area. Here's what I can tell you about it. I prepared this fact sheet to leave with the librarians and to give the foundation for their records:

Ana’s Nook

Art Quilt “tapestry” by Susie Monday, 2012

Commissioned by the San Antonio Public Library Foundation

Materials:  Cotton, silk, rayon, cotton blend and other textiles, wooden frame, cotton batting and sound absorbing batting, paint, dye, fusible webbing and dye. 

Techniques: Fused raw-edge appliqué with free-motion quilting and hand embroidery. Fabrics created with a variety of surface design techniques including batik, screen printing, hand-painting, dye and textile painting on both new and repurposed fabrics. The art was treated with a UV light barrier chemical to help limit fading. 

This triptych was designed especially for the gridded translucent wall of the new children’s area at Parman Branch Library. The librarian Haley Holmes and the staff of the Library Foundation wanted something that would be visually interesting to children, would help absorb sound and would include “Ana’s Nook,” in honor of the memory of Ana Macias. The design was inspired by a picture Haley had of an apple tree quilt. 

Susie took off from that seed of an idea, using the colors of the library interior and those of the new Ana’s Nook furnishings. The fanciful art quilt includes two apple trees on either side and a Spanish oak in the center and depict the trees  against a nighttime constellation of stitched names of children’s book heroes and heroines. Ana’s Nook is printed on a sign that hangs from the oak and one of the apple trees (repurposed in traditional quilt fashion from a pair of worn-out trousers) has several pockets full of leaves. A quarter moon hangs in the tree branches and moon beams sparkle a path through the piece.

Each leaf is different in color, pattern and stitching, and while some of the book hero names are easy to read, others are blended into the background, so a kind of hide-and-seek of names can engage the viewer. Hand stitching adds more pattern and texture, with large cross-stitched “x”s and Long running stitches as part of the grassy hills where the trees stand.

Susie Monday is a textile artist with more than 15 years experience in the field. Her work is featured in public and private collections across the hemisphere, and has been featured in exhibits in the U.S and internationally, including at the International Quilt Festival, Gallery Nord, the Witte Museum, and the San Antonio Public Library Gallery. She works in her home studio near Pipe Creek, El Cielo Studio, where she also teaches fiber art and creativity workshops. She is also an adjunct faculty member at the Southwest School of Art, and a Creative Learning Specialist for the International Programs Department of Alamo Colleges. Her new book, coauthored with Susan Marcus and Dr. Cynthia Herbert is coming out October 23 from Greenleaf Book Group, The Missing Alphabet, A Parents Guide to Developing Creative Thinking in Kids. Susie graduated from Trinity University in 1970.

 Here's the invitation to the event:

Update on Sunday, September 23, 2012 at 12:59PM by Susie Monday

Here's a link to a newspaper story about the dedication:

Ana Lu­cia Ma­ci­as died of bone cancer last year at age 16. Ana's Nook, a new space in the Par­man ...

Read more: Library honors girl who loved books

True Love Commission

I've been commissioned to make a little house shaped art quilt for a wedding gift -- I got carried away and made three! These are small -- about 18" tall -- and reasonably priced. If you have a wedding coming up and wish to give a gift of art, email me through the contact form for sales information. Or maybe you just like one for yourself. Support the arts.

How do I approach such commissions? It's always a quandry, as I don't exactly know how to make art to order. I prefer to do one-of-a-kind work and so looking at my other pieces only gives someone an inkling of what I can do. For larger work, I do make sketches, provide color samples and give clients a chance to weigh in on size, color palette, general topic and themes to be included. And I always have a "kill fee" if something doesn't work out that includes my out-of-pocket fabric and supply costs -- but since I assume I will sell the art to someone eventually, I don't worry about the time or effort involved. I'd rather have happy collectors.

But for small pieces like these little art quilts, I generally try to do more than one, especially if, as in this case, the commissioner was pretty open about what he wanted to give. I enjoyed working with an intensity to get these completed within the week -- I used some fabrics and central image panels that were already done -- and of course I had to fit this task inbetween all the other work of the week, including prep for my next two extensive teaching gigs -- next week in Dallas (a New World Kids training for Big Thought) and the week after at the CREATE mixed media retreat sponsored by Cloth Paper Scissors.

The pomegranate piece above, and the pear below both used the Rainbow Printing with Water Soluble Media technique that I'll be teaching in Chicago. (Whoops, I took the photo and emailed it from my iphone --its sideways and I can't figure out how to rotate it, so you'll have to rotate your head or screen.)

Here's more info:

Making an art quilt with an original image and multicolored screen print is one of the most fun and satisfying techniques I know -- the technique works for all kinds of images and styles, from hyperrealistic to expressionistic to abstract -- and although the supply list seems a bit daunting, the materials are probably mostly things you have in your studio. My blog has some examples and further information with this page link, if you'd like to see more.

The good news is that I will be teaching Rainbow Printing with Water-Soluble Crayons at the CREATE Mixed Media Retreat, sponsored by Cloth Paper Scissors, at the end of August. My one-day workshop on Rainbow Printing is Thursday, August 26 from 9-4 at the Rosemont Hilton near O'Hare.

Rainbow Printing with Water Soluable Crayons
(6 hours)

Date: Thursday, August 26
Time: 9:00am-4:00pm
Technique: Printmaking & Collage
Instructor: Susie Monday
Price: $140
Kit Fee: $5

Using all manner of water soluble media--water color markers, water soluble crayons and oil pastels, chalks and pastels -- you will create original fabrics using hand painting, screen printing, and stencils. Construction methods for a small wood-framed art quilt will be demonstrated, and many examples of use of the fabrics in multimedia work will be shared, but the emphasis will be on making a variety of textiles that can be used in work back at home. These techniques use textile paints and polymer media in interesting multi-color applications, with layering, tinting and color washes used to add depth and subtlety. The improvisational prints are similar to mono-printing, but can be used for highly detailed realistic imagery, as well as for abstract color field experiments.

(See registration for the supply list)
Date:
Thursday, August 26
Time:
9:00am-4:00pm
Technique:
Printmaking & Collage
Instructor:
Susie Monday
Price:
$140
Kit Fee: $5

Using all manner of water soluble media--water color markers, water soluble crayons and oil pastels, chalks and pastels -- you will create original fabrics using hand painting, screen printing, and stencils. Construction methods for a small wood-framed art quilt will be demonstrated, and many examples of use of the fabrics in multimedia work will be shared, but the emphasis will be on making a variety of textiles that can be used in work back at home. These techniques use textile paints and polymer media in interesting multi-color applications, with layering, tinting and color washes used to add depth and subtlety. The improvisational prints are similar to mono-printing, but can be used for highly detailed realistic imagery, as well as for abstract color field experiments.

Go to www.clothpaperscissors.com and click on the CREATE RETREAT LINK for registration.

I'd love to have a few more participants -- the max is 18 -- and time is short until the event begins. If you or someone you know lives near or close ot Chicago, or is looking for a fun artful retreat, please pass along this message to them via email.  I appreciate your help with spreading the word.

If you have questions, or ideas for how I can get in touch with folks who might be interested in attending, please let me know!  Thanks for helping me get the word out.

Guadalupe/Tonantzin 2

 

Sewing, sewing, sewing. Finally. Yes, I REALLY should be doing something far more nurdish, like balancing my checkbook and putting together a budget for the month, BUT.

Instead, I finished a commission piece that is past due, and I am sure the buyer will be happy that the process we started on at the beginning of the summer is coming 'round at last. First, she wanted a piece I had completed, but it was too large for the space. I promised this #2 and it's taken me all summer to make it work. I think I like it; I hope she will. While I wanted to make a piece that was quite similar in color and imagery, it's hard sometimes to change scale and have the composition work as well. This is same and different. See what you think:

Here'e the first, larger piece; #2 is at the top of this post.

Both pieces are inspired by Our Lady of Guadalupe and her predecessor Tonantzin, the Corn Goddess of the Aztec people. Our Lady appeared on the site of Tonantzin's holiest temple, and the comfort she offered the natives of Mexico took shape, form and energy from Tonantzin's presence and abundance.

I've actually had two inquiries this week for other work, and while that's exciting, I also feel a few new knots in my gut. But, here's to stepping out into the unknown. May both Ladies smoooth the path, watch my back and keep me on the right road.