Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

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The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

About This Blog

This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

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    Entries in art quilt (13)

    Tuesday
    Sep182012

    Installed in the Library

     

    If I could be a book, I'd choose to be in a library, something pithy and not too popular, but the kind of book that when someone checked me out, I'd be a surprise, something to read and savor, something to share with my friends.

    Well. I'm getting into the Parman Branch, but it's not as a book. Thursday, the San Antonio Library Foundation and SA Public Library will dedicate a new children's area dedicated to the memory of a young girl who died at age 16 of cancer that she had fought most of her life. The young girl, Ana Macias, became the reason for gifts from family and friends and library supporters. You are invited if you're in town or near -- 5:30-7 at Parman Branch, outside Loop 1604 on Wilderness Oak off Blanco.

    I was asked to make a large art quilt "tapestry" to put on the wall in the new area. Here's what I can tell you about it. I prepared this fact sheet to leave with the librarians and to give the foundation for their records:

     

    Ana’s Nook

    Art Quilt “tapestry” by Susie Monday, 2012

    Commissioned by the San Antonio Public Library Foundation

    Materials:  Cotton, silk, rayon, cotton blend and other textiles, wooden frame, cotton batting and sound absorbing batting, paint, dye, fusible webbing and dye. 

    Techniques: Fused raw-edge appliqué with free-motion quilting and hand embroidery. Fabrics created with a variety of surface design techniques including batik, screen printing, hand-painting, dye and textile painting on both new and repurposed fabrics. The art was treated with a UV light barrier chemical to help limit fading. 

    This triptych was designed especially for the gridded translucent wall of the new children’s area at Parman Branch Library. The librarian Haley Holmes and the staff of the Library Foundation wanted something that would be visually interesting to children, would help absorb sound and would include “Ana’s Nook,” in honor of the memory of Ana Macias. The design was inspired by a picture Haley had of an apple tree quilt. 

    Susie took off from that seed of an idea, using the colors of the library interior and those of the new Ana’s Nook furnishings. The fanciful art quilt includes two apple trees on either side and a Spanish oak in the center and depict the trees  against a nighttime constellation of stitched names of children’s book heroes and heroines. Ana’s Nook is printed on a sign that hangs from the oak and one of the apple trees (repurposed in traditional quilt fashion from a pair of worn-out trousers) has several pockets full of leaves. A quarter moon hangs in the tree branches and moon beams sparkle a path through the piece.

    Each leaf is different in color, pattern and stitching, and while some of the book hero names are easy to read, others are blended into the background, so a kind of hide-and-seek of names can engage the viewer. Hand stitching adds more pattern and texture, with large cross-stitched “x”s and Long running stitches as part of the grassy hills where the trees stand.

    Susie Monday is a textile artist with more than 15 years experience in the field. Her work is featured in public and private collections across the hemisphere, and has been featured in exhibits in the U.S and internationally, including at the International Quilt Festival, Gallery Nord, the Witte Museum, and the San Antonio Public Library Gallery. She works in her home studio near Pipe Creek, El Cielo Studio, where she also teaches fiber art and creativity workshops. She is also an adjunct faculty member at the Southwest School of Art, and a Creative Learning Specialist for the International Programs Department of Alamo Colleges. Her new book, coauthored with Susan Marcus and Dr. Cynthia Herbert is coming out October 23 from Greenleaf Book Group, The Missing Alphabet, A Parents Guide to Developing Creative Thinking in Kids. Susie graduated from Trinity University in 1970.

     

     Here's the invitation to the event:


     

    Friday
    Feb172012

    Pomegranate Quilt

    As promised, the strip quilt, thanks to fear-busting activity inspired by Rayna Gillman's new book. See the start at this post on my blog a few days ago.

    Monday
    Oct242011

    Working from Inside-Out

    above: Milagros and Apocolyse

    I was chided by a friend and sister fiber artist last night for not telling her (and others) about my recent award (first) at the Fiber Artists of San Antonio exhibition at Gallery Nord here in San Antonio. Not really false modesty -- I simply have not been able to get to the exhibit to take some en-site photos!

    2009 NW Military Highway
    San Antonio, TX 78213
    GOOGLE MAP
    T: 210.348.0088
    F: 210.348.6862

    Gallery Hours
    Weds-Sat Noon-5pm
    Closed Mondays and Tuesdays

    But since time is flying, and the exhibit goes down at the end of the month, here's the notice (Gallery Nord is open Wednesday through Saturday in the afternoons) and a bit of back story:

    First, the work that was recognized by Juror Ilsa Aviks was one of the series I worked on this August about the death and life of my father, James Lee McAtee, Jim, who died earlier this summer. This particular work is called Milagros, and is about the gifts of spirit, teaching and everyday life that blessed my life through my father's care and conversation, from writing letters, to important facts of the heart.

    Ilsa, I heard from one of the artists present at the judging, recognized the joy and meaning in this piece. I think I benefited from having her judge the show, as Ilsa is a strong proponent and advocate of working from a personal narrative, whether literal, figurative (as in my work right now) or abstractly, as she does with her own stitched works.

    I am also really happy to have work in this gallery because of its wonderful modern design. The space was created by architect Allison Peery, who I had the privilege to know in my youth. This gallery is a wonderful space to be in. From the gallery website:

    ALLISON B. PEERY, AIA

    1924-2005

    Allison Peery considered himself one of San Antonio’s few uncompromising modern architects. The exterior of the building is simply dramatic with its soaring, winglike roofline balanced by an abstract design of stained glass and mosaic tiles at the main entrance. The interior, with its plentiful natural lighting, consists of three gallery areas - two on the main floor and an upper gallery reached by a curved staircase. Peery’s modernist ethos of expressed structure, honest and coherent use of materials creates the perfect environment for exhibiting contemporary art.

    Wednesday
    Jun152011

    Art Quilt at Southwest School of Art

    The Southwest School of Art All-School Exhibition opened last Thursday, and the show is a lovely, varied, strong one, and not just because I'm in it. It was great to see Rosa Vera's Crow piece open the show, a mixed media fiber and paper work she shared during a March workshop out here at El Cielo.

    Detail of Rosa Vera's Crows.

    With such a diversity of media and approaches, its remarkable how well the curatorial staff does at getting this show on the walls of the  galleries. If you are in San Antonio this summer, be sure to stop in and see the exhibit. You'll also so a beautiful piece of Lisa Kerpoe's art cloth, a fiber piece by Miki Rodriguez of Laredo (also a participant at one of my workshops) and a host of other beautiful masterly works of craft/art.

     This art quilt is titled Just Beyond My Reach. It is about 3 feet by 4 feet (measurements are somewhere!) and is fused, raw edge applique and free-motion quilted. I used fabrics that were hand-dyed, stamped, stenciled, batiked and created with monoprinting, as well as a few pieces of recycled ethnic textiles from thrift store finds. I decided quite a long time ago to only buy fabrics at thrift stores, with the exception of Indian silks, indigenous textiles and cotton batting. So far, so good! I use my own body as a template pattern (which in itself is an interesting process sometimes.) 

    If you are a working, selling, making-a-living somehow artist you can probably figure out what this one is about. But I guess it even has a more universal text, as well. We are all probably living with that feeling, and it's one that generally does no one any good, but, hey compassion for one's foibles is a necessary kindness.

    Here is a detail from Lisa's art cloth work:

     

     And here is a shot of Miki Rodriguez' work, Arroz con Pollo (chicken with rice)