Susie Monday . El Cielo Studio

Carved type from the V&A, London

Now that business is posted (if you missed the latest on the workshop front, either download or go back a day for details) I want to continue my posts of photos from the summer's wonderful journey through Scandinavia. I'm posting these by Sensory Alphabet category --just for fun, and because this blog serves me as a kind of collection jar for memorie, studio actions, future ideas and playdates with ideas.

So today's idea is LINE. Here are some of the photos I took that jumped out of iphoto:

Potsdamplatz, Berlin

Stockholm horizonVasa rigging, StockholmRepainting the line

Bridge between Sweden and Denmark

Tallinn street scene

The line the wall made, Berlin

Berlin

Memorial to the Murdered Jews of Europe, Berlin

Next up: the  shape collection from the summer travels. (Previous installments in the two previous posts include Movement and Color, see the sidebar for links.)
Some things I might try from these inspirations:

1. Think of the grid as a pattern of shapes and use it as did the artist who designed the Berlin Holocaust Memorial.

2. Try making a columnar shaped art quilt, like the Estonian tower.

3. Use the paving stone and manhole cover collection (I took lots of these photos) to make thermofax screens for an art cloth series.

4. Use the shapes of the plaster casts from the Victoria & Albert Museum to inspire some altar-shaped pieces.

5. Make a phototransfer of that lovely urn from Kensington Garden.

 Manhole Cover - Berlin

Newton, Sculpture at the British Library

Tower in Tallinn, Estonia, UNESCO World Heritage Site

Medieval stone carving, plaster cast at the V&A, LondonUrn, Kensington Gardens, London

 Tallinn, Estonia, Old Town

More photos from the Scandinavian trip this summer: these screamed "color" when I went though the digital stacks. I love digital photography, but you have to admit that it makes editing an essential part of the process. Back in the film days, I could never have brought home 2000 plus photos! If you've just tuned in, I'm taking the next seven days (plus yesterday and today) to post pictures from our big summer trip/cruise sorted by categories of the Sensory Alphabet.

Here are some ways that colors in photogrphs (my own and other's) inspire my work:

1. If theiy're mine, I use the photos directly, printed on fabric or other strange materials, then use them as a collage element in my art quilts, or even as stand-alone small fiber pieces with stitching and over-printing.

2. I notice what works compositionally with color in a favorite photo, then let that proportion or relationship inform a piece of work.

3. I like to play a color matching game, mixing colors of paint or dye to match a color that I find striking in a photo or painting.

4. Especially with photos of the natural world, I find new and unusually color schemes that I wouldn't ordinarily think about. Coor is such an important element in my work, I am always working from both intuitive.

While specific images from this trip have not yet found their way into my work, I have gotten some interesting ideas for some new workshops, coming soon to this blog. Meanwhile, here's the color selection to inspire your work!

Grocer's shelf near Highgate Village, LondonHydranga blooms at the V&A, London

Very old stained glass panel in the V&A collection

 St. Petersburg, Russia

Summer Palace outside St. Petersburg

The intersections of what we think of as different fields of study fascinates me. These videos I stumbled across today provide some tantilizing connective tissue between art and mathematics in the work and research of Eric Demaine. What I liked best was Eric's statement that mathematics is an art medium. And his, sometimes a bit rattled, SEED presentation (Scroll down to see the embedded video) proves that he is working from the spirit that drives all of us who make art.

First, here are the links to an animation of the Metamophosis of the Cube

The background of the animation of
Metamophosis of the Cube even has its own little artfull story:

Watching the animation, you'll probably notice the old page of cyrillic text in the background. There are a couple of reasons for this. First, it gives something onto which the folding objects can cast shadows. Second, it is in some sense the basis for our work. The page is from a Russian book on Convex Polyhedra by the famous Russian geometer A. D. Aleksandrov. In particular, the theorem underneath the folding cube characterizes what “polyhedral metrics” can be folded into convex polyhedra.