Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

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The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

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This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

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    « Visioning for Online Teaching | Main | Art Quilts at Baylor »
    Thursday
    Nov122009

    Surface Design Technique: Polyester Film Transfers

    Polyester film transfer on cotton, "Century Plant

    I am doing some transfers of photos using polyester film (it's a wet media product made for graphic artists) with my ink-jet printer and then adding gel medium or fabric medium to melt and blend the photographic images-- which also makes them permanent (if a bit stiff). This spiral piece also has a thermofax screen print ontop (the charcoal dotty stuff).

     

     

    This is a logical progression from some of the screened water-soluble medium work that I also have been doing lately.

    And what is it with the nature imagery. I hope I am not turning into the quilt art equivalent of a boring bluebonnet painter....


    Let me know what you think. Should I quilt these as whole cloth quilts?

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    Reader Comments (4)

    There's so much wonderful layering going on in these that I think they'd make beautiful whole cloth pieces. But if you're wondering, then why not chop one up and rearrange it? Or add even more layers?
    November 12, 2009 | Unregistered CommenterKristin L
    I agree with Kristin; I like this. The first image, the transfer piece, would be terrific both as a whole cloth piece, or with some applique, maybe raw edge, some free motion embroidery/quilting to attach the extra layer(s) to the base.... Mixed media people or beaders could also feast their little hearts on that base.
    Too much nature in your work? There are so many species of plants, insects or animals to choose from that you could do nature pieces for several lifetimes without repeating yourself. Throw in a paramecium or amoeba for a more abstract effect, and you will need another lifetime. You can do all the nature pieces your heart desires without falling into the bluebonnet painting trap. Humble opinion of someone who thinks there are not enough leaves in the world ;)
    November 12, 2009 | Unregistered CommenterMargaret
    I think these would be fabulous as whole cloth pieces. Less is more....give us something that we can fill in with our imagination.
    November 16, 2009 | Unregistered CommenterJill
    Thanks for the advice and comments. I love the conversations that can happen about work this way since I am out here off the beaten path and most of the folks who see my work are too-kind relatives! (not that you aren't all too kind too!)
    November 17, 2009 | Unregistered CommenterSusie Monday

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