Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

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The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

About This Blog

This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

To reach me, leave a comment after a post, OR email me at susiemonday@gmail.com 

 

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    Entries in inspiration (5)

    Thursday
    Feb022012

    Artists Inspired by Focus, Movement & Delight

    1. 

    Murmuration from Sophie Windsor Clive on Vimeo.

     

     2. A poem shared by one of the Archetype Workshop's* registrants, Valerie, about the elemental forces she is working with for an exhibit entry:

    A poem by Rumi: Answers from the Elements: from Coleman Barks book, The Big Red Book.

    Writes  Valerie:"I love Rumi's work, and will enjoy finding a way to illustrate it in an 84 " by 14" format - that long vertical is challenging! Here's the stanza with the responses of the elements to the question, Where is God?"

    The moon says, I am dust stirred up
    when he passed by. The sun: My face is pale yellow
    from just now seeing him. Water: I slide on my head and face
    like a snake, from a spell he said. Fire: His lightning,
    I want to be that restless. Wind: why so light?
    I would burn if I had a choice. Earth, quiet 
    and thoughtful? Inside me I have a garden
    witn an underground spring.

     

    3. And some thoughts from John Cage about work, (Did I already share the second...nevermind, it bears repeating).

    These were found on the wonderful blog Intense City:

    RULE ONE: Find a place you trust, and then try trusting it for awhile. RULE TWO: General duties of a student – pull everything out of your teacher; pull everything out of your fellow students. RULE THREE: General duties of a teacher – pull everything out of your students. RULE FOUR: Consider everything an experiment. RULE FIVE: be self-disciplined – this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way. RULE SIX: Nothing is a mistake. There’s no win and no fail, there’s only make. RULE SEVEN: The only rule is work. If you work it will lead to something.

    “Something my father remembered the composer John Cage saying to him during the 1950’s often came to his mind: ”When you start working, everybody is in your studio – the past, your friends, enemies, the art world, and above all, your own ideas – all are there. But as you continue, they start leaving one by one, and you are left completely alone. Then, if you’re lucky, even you leave.” — Musa Meyer, “My Father, Philip Guston” (Image by Jon-Kyle)

     

     * That Archetype workshop (almost full) 

    CALLING ALL ARCHETYPES 

    MARCH 23-25

    (optional Friday night potluck & work-in-progress critique)

     Spend some time thinking and working on using your inner crew for work and support. In this workshop we’ll explore archetypes, inner voices, gut reactions and their influence on your art and art-making with lots of improvisational exercises to loosen up your approach to art. Make a small artist's altar using fabric and mixed media techniques including mono-printing, collage and digital printing on fabric to remind you of a practical and sacred part of your life. (artist altar frame, $10 supply fee) Workshop fee $175, Lodging, free to $30 on site.



    Sunday
    Sep052010

    Loving It Big City

     

    A Labor Day outing to Houston has proved to be  qn unusual and wonderous blend of image, taste, sound and fizz. We've been dog and cat sitters at a friend's house in the Montrose, so the everything in the inner loop -- musuems, music and more --  has been easy and accessible. The home of our friends makes a luxury hotel room look like a seedy second choice. Pool, kitchen, art and fabulous architecture have given us a home away from home without exception.

    Amazing ancient textiles, mummies and incredible coffins shaped like boats were centerpieces in the Silk Road exhibit at the Museum of Natural History. The brocades and tapestry weavings were delicate and preserved by the dessert climate where they had been entombed -- colors still discernable after nearly 2000 years. The older tombs and mummies were hauntingly beautiful, speaking to us across nearly 4000 years of the lives and times of these families of traders and trade route merchants.

    More to come later -- this post is interupted by yet another call to travel -- up to the Woodlands for dinner tonight.

     

    Tuesday
    Jul202010

    Artist Date: Must-See Video

    I still like to remind myself to take the weekly (at least) artist date, ala Julia Cameron and The Artist's Way. Here was my virtual date of the day.

    BIG BANG BIG BOOM - the new wall-painted animation by BLU from blu on Vimeo.

    Monday
    Aug312009

    World Shapes: Art-making Inspired

    Memorial to the Murdered Jews of Europe, Berlin

    Next up: the  shape collection from the summer travels. (Previous installments in the two previous posts include Movement and Color, see the sidebar for links.)
    Some things I might try from these inspirations:

    1. Think of the grid as a pattern of shapes and use it as did the artist who designed the Berlin Holocaust Memorial.

    2. Try making a columnar shaped art quilt, like the Estonian tower.

    3. Use the paving stone and manhole cover collection (I took lots of these photos) to make thermofax screens for an art cloth series.

    4. Use the shapes of the plaster casts from the Victoria & Albert Museum to inspire some altar-shaped pieces.

    5. Make a phototransfer of that lovely urn from Kensington Garden.

     Manhole Cover - Berlin

    Newton, Sculpture at the British Library

    Tower in Tallinn, Estonia, UNESCO World Heritage Site

    Medieval stone carving, plaster cast at the V&A, LondonUrn, Kensington Gardens, London