Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

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The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

About This Blog

This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

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    « The Big Leap; Learn as You Go | Main | A Few Questions for the New Year »
    Wednesday
    Jan072009

    Color in Bustamante

     

     

     

    Imagine painting your doorway pepto pink. Imagine what it's like to open your eyes to a chrome yellow wall, and another, and another? What's not to love about the colors in the little town in Northern Mexico that we visited over the holidays? Folks in Bustamante seemed typically Northern Mexican in their conservatism; our hotel owner was more dour than debonair; the sidewalks emptied by 8 p.m. and we never did find a bar, much less the website-touted mescal factory we had read about. BUT, in color sense, the town was anything buy shy and retiring. Even with many storefronts and homes shuttered in the winter (perhaps to open come summer visits), walls were freshly painted, the door frames bright, and every possible color combination seemed to work with its neighbor -- killing the rather limited notion we seem to have for color harmonies and proper color schemes. Of course the nature played its part, as well, with pink and orange bouganvilla blooms reaching over walls, and branches laden with limes bending over porticos. Then, there were the more subtle hues of the mountains, the early huisache blooms, the clear spring waters and blue skies at the ojo de agua.

     

     

    We're planning to stretch the limits of color play at my February workshop, too.  "A Field Guide to Color" is coming up mid February 20-22. If you'd like a hands-on  take-no-enemies  time to work with color, stretching your understanding of the rules, taking on, learning then breaking them, sign up now while there's still space. For details, see the workshop page here. We'll have dye play, painting with hue and value, chakra color meditations and more. The economy might mean fewer long trips or major workshop weeklong outings for many of us artists, so I hope you'll consider this closer-to-home affordable opportunity for an intensive improvisational dye workshop with color at its heart!

     

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    Reader Comments (2)

    Oh, I love the colors in those architectural photos, fabulous inspiration!
    January 9, 2009 | Unregistered CommenterPaMdora
    I have one picture in my mind that I didn't get a shot of, house with red walls and purple trim. To die for. I think I want to live in Bustamante someday -- maybe rent a little house for the summer
    January 14, 2009 | Registered CommenterSusie Monday

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