Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

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The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

About This Blog

This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

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    « Pachyderm | Main | FASA Annual Exhibit »
    Sunday
    Dec102006

    Familiarity

    Now this is what I meant to say when someone asked me why I do what I do:

    "The medium of fiber appeals to a broader audience because it uses familiar materials and techniques and thus provides a more accessible and understandable art form. How many people sleep between paintings or put on metal pants in the morning?"

    Susan Taber Avila is one of a number of San Francisco Bay fiber artists  whose work appears in the on-line gallery www.fiberscene.com. (She's also a co-founder of the website.) This excerpt from her artist statement took me from surfing  dead stop. Sometimes I wonder why I don't paint or sculpt or do something else -- and I'm not even sure about whether I think the familiar materials do make fiber arts more accessible and understandable to the general public -- but I know I connect in a way that I don't to painting and more traditional art disciplines or media.

    I sometimes feel really stupid about my work, with its narrative and folkloric content, with its purposeful naivete. I mean, I did go to art school. Shouldn't I do something more sophisticated or important or serious.  Do I sound whiny again? Perhaps its about the familiarity of storytelling. Or maybe I need to let myself try something serious.

    Thanks, Susan, for putting it so well.  And letting me mutter about this.

     

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    Reader Comments (1)

    Ah, Susie, I have so often asked myself why I continue to work in textiles despite the fact that they are less accepted as serious"art" than the same work done on canvas. I know exactly what you mean -- although I did not go to art school.
    December 18, 2006 | Unregistered Commenterrayna

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