Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

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The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

About This Blog

This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

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    « More Moo | Main | Creative Success »
    Monday
    Oct162006

    HeArtCloth Quarterly

    colorlogo1.gifThe fourth wonderful issue of HeArtCloth Quarterly has been posted at Art Cloth Studios. This subscription-based magazine/journal/communize from Jane Dunnewold is on my must-have list of studio resources. Jane's teaching style and generosity come through with grace; the articles by other contributors and gallery sections of guest artists always introduce me to someone new, something intriguing, some way to look at the work I do differently. I get to know a burgeoning international community of those who love to make beautiful fabrics  --- all on one or more of the 50-odd pages that make up each issue (by the way, advertising-free). 

    Jane always also includes work or words or both by least one YOUNG artist  -- sometimes I feel a bit stranded in my own generation and these features from art schools provide refreshing voices and also help me to feel that while I may be aging, the work I love has connection and relevance to artists of all ages -- and that there are still people coming along who want to work with their hands, hearts and the one-of-a-kind tactile art that gets me going.

     So, if you buy  only one fiber related book a year, this would get my vote. Click here for a few sample pages, and subscription information -- and while you are at the site, don't forget to check out the other offerings, essays and information.

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