How do you work in a series? Or do you? Why or why not? And what makes it a series?
I see some individual works of art -- in many different media -- that intrigue and interest me, make me want a continuing conversation with that artist. But then, I look further, and I can't get a hold of what is going on. I can't find the path and I want more than one stepping stone for the journey. I strongly believe that commiting to one (or a few) clear paths is an important decision toward having one's work taken seriously out there in the broader art world.
And yet I know the challenge of working and reworking a theme or image or technique with the fear that someone will say, "Hasn't she done that already?" or even worse, being bored with it myself or doubting my loyalty to a theme or direction that is played out.
My solution recently (say the last couple of years) has been to work in several series simultaneously -- each of which has its own direction, but has some distinction, some major differing factor, from other work. So far it works for me, though I'm not sure how it works for "marketing." Some of what I do is about the medium itself: I still want to do some art cloth for art cloth's sake -- yardage that isn't about being cut up and used for anything, fabric that exists as form enough. Right now I am continuing to make my wooden frame shaped altares, each house shaped, but I still dip back and forth on subject matter. I have one series of smaller pieces that include photographic images of the Hill Country (the Borderlands series) and I still continue to explore the image of feminine sacred icons. And now, my mermaids are really taking flight (and falls).
But what about you? How do you work in a series?
Monday, March 19, 2007 at 05:46PM 
