Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

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The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

About This Blog

This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

To reach me, leave a comment after a post, OR email me at susiemonday@gmail.com 

 

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    Tuesday
    Jan032012

    Three Sure-fire Ways to Use Those Blank Books

    IT'S NOT THE CHOICE, IT'S THE COMMITMENT.

    Let's start with the easiest:

    1. Find your watercolors (or colored pencils, or markers or...)

    Open the book, not to the first page, but somewhere else.

    Start coloring a "background" wash of color/s that you like. Don't stop until you have 10 pages colored. See where that takes you....

    2. Do the Morning Pages commitment (from Julia Cameron's Artist Way) for a minimum of one month. As soon as your eyes are open, open the book. Write (and/or draw) three pages non stop (should take about 20 minutes, so set the alarm earlier if you need to). Write stream of consciousness, whine, complain, moan, smile, be thankful, list to-dos. Do not read the three pages over for at least a month. More about The Artist Way later.

    (PS There is even a Yahoo Artist Way circle.)

     

    3. Take a stack of old magaines, cards, calendars and other paper stuff to bed with you at night. Cut and/or tear out pictures you like, for any reason. Or use construction paper. Glue the images inside the blank book in interesting arrangements if you wish, or just old time scrapbook style like you might have done at age 10. Write about the pictures, if you want to. Keep this up for at least a month.

    More ideas coming tomorrow.

     

    Monday
    Jan022012

    Still Mulling, but Mixel Makes Me Giggle

    I'm still mulling over my journaling  choices for the new year, and here it is Jan. 2 already.  I think I will sort it out soon, at least by the time I figure out to remember writing 2012 on my checks, datebooks, etc. (Since I don't write that many checks anymore (do you?) it may take me a while for that task to settle into a new date, though.)

    Meanwhile, I did find a fun tool that is almost as interesting as cut-paper, old magazine collage making journaling -MIXEL, an iPad app that is a very simple, free-form cropping and layering collage tool with a social media twist --  Which is the downside actually, since any image you use in a collage, even cropped, becomes freely available as an entire image, and usable by any other Mixel user. 

    I am not highly protective of my art images since I long ago realized that anyone who wants to steal an idea or image from work of mine could do so pretty easily. My attitude towards art that I make, whether the reaction is scorn (I don't like that work... who does she think she is making fused quilts?) or theft (they must like it, huh?), is similar to that of composer/lyricist Cole Porter -- "there's thousands of more where that one came from."

    BUT, you do need to realize that if you sign on for Mixel, and use your photos, or pictures of art, or other computer generated or accessed images, those become "free" content for other users to rearrange, add to or otherwise appropriate.  And it's intentional, being an app that the inventors think of as a kind of round-robin, remixing visual conversation.

     

    I'm enjoying it, uploading consciously, and having fun with the visual remixing I see. I hope to get better at the process, but the photos above and below are some of my first tries. So my first couple of days of journaling have been online and totally word-free. I am saving them in a EVERNOTE notebook, called JANUARY JOURNAL, so I guess this is a start!

    Friday
    Dec302011

    The Blank Sketchbooks

    A recent discussion on the Quiltart list about using and hoarding blank sketchbooks has led me to my new year's commitment- make journaling a part of my daily life again. I have shelves of journals, but I have let the habit drop the last two years, except when I was working on a specific project that took pen and paper.

    My January workshop (artist journey/artist journal) is one with a journal habit focus -- and I'm a bit embarrassed to admit my own laxity. So, guess this is a good time to resume. One decision: now that I'm relying often on my iPad for day-to-day notes and resources, do I go to an electronic journal, like a special notebook on Evernote or Circus Notebooks, or even Bento? Or find another software (a task in itself!) Or use paper book and iPad both? Or make a back-to-paper decision, since it's just more of an object that has the sensory pleasures of tactile and linear time inherent and intact. I really love electronic media, and unlike many artists and non-artists alike, find that it has amazing and interesting and full of creative potential. I love taking photos to spark art work; like the instant alterations possible with photo and art apps; just love exploring the mixed media aspects of the screen. I still want to buy a stylus and try working enscreen with that kind of interface.

    A commitment to daily private journaling would be different than the (not so regular) blogging I did this year. one doesn't like to whine in public, does one? But electronically, would it feel the same?

    And back to the Quiltart discussion -- seems there are a lot of people out there who collect the beautiful books, blank sketchbooks with lovely papers, but rarely use them, at least not beyond a few days. I do have some suggestions, ones that work. And, those I'll be tackling myself to get back in the habit, before my workshop January 21.

    First, answer a why: Why do you want to keep a sketchbook or artists's journal? What purpose can you imagine it serving? We are all too busy to do things without reason. Here are a few reasons to consider:
    To deepen your work and path as an artist
    To document your work process and creative process so that you can be more productive and more conscious of your process
    To give you references and resources and inspirations for a particular project or series of work
    To organize all those scraps and bits and pieces that you collect in a month, a season, a year
    As a way to move past blocks, the inner critic, the unexamined things that keep you from your work as an artist ( for this, I recommend Artist Pages a la The Artists Way by Julia Cameron)
    To record your work in process
    To record creative action and work so that at the end of the year you know what and where you have been
    As a work of art in itself -- artist journaling as an art form can combine or contain any of the other reasons and purposes, but the opposite is not necessarily true. I have never thought of my journals as works of art, and no one would think so to see them, but I do enjoy seeing the work of those who do journal that way.
    As art and skill practice. For example, journals with a drawing a day, an art quilt journal with a small quilt each week, a sketch diary carried and used daily to improve drawing skills, etc.

    So what's your purpose?

    And are you committed to that purpose?

    Here's what Seth Godin had to say about that today:
    "
    The reason productivity improvements don't work (as well as they could)

    GTD, 18 minute plans, organized folders... none of them work as well as you'd like.

    The reason is simple: you don't want to get more done.

    You're afraid. Getting more done would mean exposing yourself to considerable risk, to crossing bridges, to putting things into the world. Which means failure.

    The leap the lizard brain takes when confronting the opportunity is a simple formula: GTD=Failure.

    Until you quiet the resistance and commit to actually shipping things that matter, all the productivity tips in the world aren't going to make a real difference. And, it turns out, once you do make the commitment, the productivity tips aren't that needed."

    You don't need a new plan for next year. You need a commitment.

    Tomorrow (or next day) i'll Iist some fun ways to engage in journaling, no matter your purpose,-- and, if you're in the area, there is still room in the workshop next month at El Cielo Studios.

    Thursday
    Dec292011

    More Photo Fun

    One thing about sitting around a fire there's lots of time for app exploration. Here's another one that I think will make some killer thermofaxes. Or maybe just fun for playing around. It's an iPhone app, but I'm using it on the iPad with imported photos. The palm tree, a reaction to days of snow?

    It's called News Flash (corrected title!) by the way, but what it does is a dot screen, like an old time half tone. Or you can translate to lines or waves. I like the dots best. Look under MORE for other controls.
    I can't put in the app store link as I am working on my iPad, but with the right name it should show up in the app store. I am using the iPhone version on my iPad.