Susie Monday

Artist, maker, teacher, author, head cook and bottlewasher.

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The art I make is the result of a life-long love of pattern, texture and color. How I teach is a skill honed by experience (I started teaching creative arts to younger kids when I was 12). After earning a B.A. in Studio Arts from Trinity University, I helped lead an internationally recognized educational foundation, designed curriculum exhibits for schools and other institutions, wrote and edited for a major daily newspaper, opened the San Antonio Children's Museum and then, a dozen years ago, took the scary but essential (for me) leap to become a fulltime artist and art teacher.

About This Blog

This weblog is about the maker's life. The teacher's path. The stitching and dyeing and printing of the craft of art cloth and art quilt. The stumbling around and the soaring, the way the words and the pictures come together. Poetry on the page and in the piecing of bright scraps together. The inner work and the outer journeys to and from. Practicalities and flights of fancy and fearful grandeur, trivial pursuits and tactile amusements. Expect new postings two or three times a week, unless you hear otherwise. 

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    Entries in drawing (4)

    Sunday
    Apr142013

    Fearlessly Sketched Torsos

     

    What a great weekend. Six artist participants and my co-teacher Sarah Jones and I spent the last  two and a half days in drawing heaven. Is there anything better than having nothing to do but draw? We worked in many media, from many perspectives, with lots of input and insight from within and without the room. The first exercise was a variation of a project from Jane Fasse, whose wonderful blog  delivers art quotes daily to my inbox. AND her art quote one day last week (a timely gift from the universe) was the exercise we started with this weekend.

    You can read her version here. We did the same, except I asked each person to stay with their own "claimed torsos -- 3 or 4 per person) for the entire hour and a half of drawing in response to visual prompts that were projected on the wall. The prompts were also from Jane -- a Pinterest board of figerative art.

    Other exercises we pursued were more about "realistic" drawing, but this one loosened us all up, and provided a wonderful visual feast to work from -- enlarging all of our ideas about figurative drawing. I'll share other results later this week, so stay tuned.

     


    Friday
    Nov302012

    Paying Attention

    The just-past post covered a lot of territory. As I take on this new expanded adventure of art out into the world, it's a good idea to think about my story, and what I bring to the table. (Perhaps you should do so, too! Post a link in the comments to your blog about your creative path and we'll see where this takes us...)

    Where does my story as an artist begin? With paying attention.

    Paying attention, this skill, like any other, needs focus, practice and to be honored within the environment (culture) of its practice. Fortunately from my childhood, I had mentors, parents and teachers who gave me that skill and fostered it's development.

    First, a family who loved nature and beauty: Birdwatching was the usual activity on any trip; a geology pick was always in the back seat; composition books for note-taking are STILL a Christmas stocking standard. We looked at plants and creeks on Sunday afternoon drives as we searched for farmland (soon thereafter purchased with the GI Bill). My chemist father shared his love of observation and my intellegent stay-at-home mom nurtured beauty in the everyday life; both of them honored the skill of paying attention and modeled it to us four.

    The concepts in The Missing Alphabet speak to my second set of lessons in paying attention. When 12, I was enrolled in a Children's Theatre at Baylor University, part of the department of drama headed by legendary regional director Paul Baker (he also headed the Dallas Theatre and worked with Frank Lloyd Wright on the design of that forward-thinking structure on Turtle Creek). His wife Kitty, and the young woman who became my mentor for decades, Jearnine Wagner, had started a children's program based on the same principles and ideas that were at the heart of the college drama program. These were: that each of us is creative and has a unique story to tell in our art and that all art/perception and creative thinking can be discerned through a vocabulary of form: line, color, shape, movement, light, rhythm, space, sound and texture. These perceptual/sensory tools could be harnessed by the artist (no matter his or her genre or field) as tools for telling that unique story. These, called by Baker "the elements of form," have moved into our missing alphabet book as "the sensory alphabet," a change of language that helps us explain to parents and educators that these are not just "art" words.

    I've been able to take these perceptual and creative tools into my life in so many ways, I use them daily as "screens" for my thinking and inventing and imagination. They are the tools that I teach to the participants in many of my workshops, retreats and courses. I find them invaluable in defining and critiquing, in helping other artists find their own strong suits, their own voices and their best ways of working, simply by asking them to pay attention to these perceptual elements in their lives and work. The Missing Alphabet, while its a book targeted at parents, is still a useful resource for emerging artists who would like some specific information about the sensory alphabet, as well as lots of activity ideas that have no expriration date according to age!

    Art school introduced me to another set of tools for paying attention, principally, that of drawing. I am not a natural "drawer." In fact, as a young woman (and even in art school) I pretty much decided I could never be a "real' artist because my drawings in junior high and high school never measured up to the cpaturing of reality that I expected as artist should be able to achieve. And though my college drawing classes at Trinity University were dully attended, I still never really fell in love with drawing until much later -- like a couple of years ago.

    Paired with the sensory alphabet, some simple ways to approach the blank page have helped  me to get over my fear of drawing and to actually treasure the time I can carve out to pay attention through drawing.* I have a new group of "drawing" mentors, in real life, my friend and artist Sarah Jones, in the digital and print world, the work and writing of John Berger

     

    That's why I am looking forward to the next Fearless Sketching workshop here at El Cielo. It's scheduled for April 12-14, costs $180. There is still room for a couple more participants, so if you are interested, send me a note through the comments or on the contact form on the sidebar to the right. 

     

    Tuesday
    Nov202012

    Three More Workshops, and That's It for 2013

    Artist's Journey, iPad for Artists and Fearless Sketching

    Wouldn't one of these upcoming El Cielo Workshop/Retreats make a wonderful gift? If no one you know has asked what you really want, perhaps your inner artist needs a restoration, recreation and renewal gift just from you! 

    If you have meant to make it out here to the Hill Country studio before, now's the time to make the commitment --I've decided to take a sabbatical from the El Cielo workshops from May 2013 through April 2014 in order to spend more time in the studio, and to consider other ways to teach and share my approaches to creativity. I will be teaching online, teaching private workshops, and I also anticipate teaching at the International Quilt Festival in Houston in 2013, but for this year I won't be an instructor at the Southwest School of Art or holding any other workshops here at El Cielo after these next three.

    Early spring (and that often starts here in mid-February!) is a wonderful time out here on the ridge, so check your calendar and shoot me an email if you are interested.
    Limited spaces, as usual, are available, as each of these special events is designed for a maximum of seven participants. The fee is $180, but I am offereing a discount for all who send a deposit before the year is out.
    Out of town participants are welcome to book an extra day or two of private work and consultation for an additional fee. As usual, first come, first choice on accommodations -- there are three private bedrooms ($30 for both nights) and a couple of comfy couches (free) as well as the sleeping porch (also free) and a cot-sized bed and private bath in the studio. The meals are great, the company inspiring and the views spectacular... and the hot tub is ready to go!
     

    Artist's Journey/Artist's Journal

    How do you make your time and space as an artist work for you? Where are you on your creative path? What do you want more of and what do you need less of? This retreat offers a beginning-of-the-year chance to look at and share your creative accomplishments, make plans for the future and put in place some new tools for reflection, renewal and re-creation of your artist self. The workshop is a combination of journaling with fun mixed media materials, using your own photos for art inspiration, and planning ahead for 2013. All supplies except for a sketchbook or journal are included and you'll take home a large calendar filled with artist dates and your own plans for the year.

    Ipad for Artists

    If you've recently acquired an iPad, this workshop will help you take it into your world of creativity and art.I've explored dozens of sketching tools, art journaling, collage and photo apps and this workshop will take you through some hands-on work -- then into the studio to print, make thermofaxes and use what you've done on the tablet for fabric printing to use in your art quilts, mixed media or other work. If you don't have a tablet yet (and are trying to decide what or if to buy), you may still want to attend, I'll have a try-out table that one or two participants can share (yes, we are a two iPad family!). This El Cielo workshop retreat will take place March 1-3 (optional Friday night potluck) ending about 3 pm on Sunday. The workshop fee, including most supplies, is $180.

    Fearless Sketching

    April 12-14 at El Cielo Studio we'll be attacking that sneaky little fear that so many of us carry into our work from early days in school -- when someone else drew the best faces or people or horses. Whether you consider yourself a talented textile artist, colorist or quilter, you may have a secret lurker within who disparages your drawing skills. I know I do! A couple of years ago, I made a conscious effort to address my fears and to start a fearless sketching practice. I'm still not a master draughtsman, or even "skilled" at drawing, but I am no longer afraid to draw, no longer hypercritical of my abilities and that makes me open to improving my skills. 

    You can get there, too. And this workshop can be your first step-- we test piloted this workhshop in September and all the participants really improved both skills and attitudes about drawing! My friend Sarah Jones will be co-teaching this workshop. She is amazing and fun and so will be the retreat!

    You can find the entire newsletter here at this link.

     

    Monday
    Aug302010

    Drawing Together

    Now this is fun. Anyone want to draw with me?? Send an email via the comment form and let's see what happens. It's an interactive by email drawing and writing collaborative tool.

    http://www.imaginationcubed.com/

    I think its got great possibilities for work with kids, teachers and colleagues!I found it while looking around for tools to use on my upcoming trip to Central America and an interactive, somewhat digital exhibit I'm designing.